One Thousand Words

Honestly, people. How is this even A Thing?

NHS staff unsettled by patients filming care and posting videos on social media.

When partner first mentioned this to me I was 'Do they even let them into operating theatre and what about scrubbing up etc?', because I assumed it wasn't actually the patient doing this, and in fact reading further it does seem to be accompanying persons.

Radiographers, who take X-rays and scans, fear the trend could compromise the privacy of other patients being treated nearby and lead to staff having their work discussed online.
The Society of Radiographers (SoR) has gone public with its unease after a spate of incidents in which patients, or someone with them in the hospital, began filming their care.
On one occasion a radiology department assistant from the south coast was inserting a cannula into a patient who had cancer when their 19-year-old daughter began filming.
“She wanted to record the cannulation because she thought it would be entertaining on social media.* But she didn’t ask permission,” the staff member said.
“I spent the weekend afterwards worrying: did I do my job properly? I know I did, but no one’s perfect all the time and this was recorded. I don’t think I slept for the whole weekend.”
They were also concerned that a patient in the next bay was giving consent for a colonoscopy – an invasive diagnostic test – at the same time as the daughter was filming her mother close by. “That could all have been recorded on the film, including names and dates of birth,” they said.
Ashley d’Aquino, a therapeutic radiographer in London, said a colleague had agreed to take photographs for a patient, “but when the patient handed over her phone the member of staff saw that the patient had also been covertly recording her, to publish on her cancer blog.

First we go back to miasmatic theory, then we go back to operations as spectator sport?

How very different, I would argue, are Barbara Hepworth's 'Hospital Drawings':

Capener began purchasing some of Hepworth’s art, which in turn helped with the costs of her daughter’s surgery. He later asked the artist if she might be interested in observing some of the procedures taking place in the operating theatre. Hepworth, initially horrified by this thought, decided to go. The materials that she needed to make her sculptures were scarce during postwar Britain, meaning she also had more time on her hands to explore other projects.
Hepworth soon became fascinated with the surgical process. She was particularly moved by the methodical rhythm of the surgeon’s hands and the concentration in their eyes. The eyes and hands are rendered with a delicacy and softness, with attentively modulated grey-white tones. They emerge from the cruder, more abstract marks in blue, green and other similar hues. Her drawing techniques somehow brings the scene to life; the many flowing lines are suggestive of the creases forming in the doctors’ blue gowns, created by their constant movement around the horizontal, inert patient. After many visits, Hepworth had created a body of work which revealed her wonderful abilities as a draughtsperson, as well as a sculptor.