brigid: drawing of two women, one whispering to the other (me)
[personal profile] brigid

Mirrored from brigidkeely.com/wordpress.

I’m re-reading my Big Book of Jane Austen and wondering, yet again, why some people continue portraying her work as romantic.

I mean, sure, they involve matrimony and at the end of the story there’s a marriage and not a funeral, so technically they are romances and not tragedies, but still.

Most of the established marriages are pretty awful, formed of people who barely tolerate each other at best and despise each other at worst. New relationships are entered into with negotiation, almost as business partnerships, even when actual affection is involved. And when a potential spouse who has objected to a match based on social standing relents, it’s not because passion has swept him/her away. Rather, it’s because he/she found out something further about the potential spouse like their family isn’t as unrelentingly tediously awful as first thought and there are some Members Of Quality present. For instance, Elizabeth Bennet and her atrocious family (except for sweet, naive Jane) but wait, she has the civilized lawyer uncle and aunt.

A lot of modern readers (and, let’s face it, viewers of dramatic versions of the books) forget or never knew that a good marriage was an upper class woman’s job. If she failed at it, she (or the daughters she misaligned) could face poverty or abuse with little alternative save returning home to live with her parents. If you’ve ever read Vanity Fair you’ve seen what Amelia Sedley– a woman with a very high class education and wealthy background– is reduced to in order to survive. (spoiler: she has absolutely no marketable skills and mostly goes hungry, surviving on handouts from relatives)

Austen’s heroines are women with very little options trying to make the best future for themselves they can. Maybe, like Marianne, they narrowly escape being “ruined” (spoiler: “seduced” (possibly raped), impregnated, and abandoned therefore to be hidden away because of The Shame) by A Cad only to find a decent marriage to a man literally old enough to be their fathers; maybe, like Jane Bennet, they luck out and have a few small difficulties before snagging a congenial easily-pushed-around wealthy dude with bitchy, unpleasant sisters;maybe they’re rescued out of grinding poverty (and a very close knit and loving family) to live among people who treat them like unwanted and threatening time bombs waiting to go off, only to find a love alliance with a cousin after all (but have spent over a decade being treated like crap by the rest of the family). She writes with humor and there are comedic elements and, yes, the novels have a Happy End. But there’s a grim undertone of desperation under the social skewering and witty banter.

If these women fail at catching a good husband, they are fucked.

Date: 2010-09-20 06:32 pm (UTC)
serendipity8791: (Default)
From: [personal profile] serendipity8791
*sigh* I can't get through any Jane Austen book. I have tried, and failed, many times. It's painful to read, the characters sound relatively desperate.

One of my High School friends did her thesis on "Jane Austen and How Her Works Have Shaped Modern Romance Litterature". Um, how exactly is that? There is nothing romantic in those books, except for people who idealize the Edwardian period (wait, was it the Edwardian period? I never know...) as "romantic".

However, I find that Jane Austen's novels are probably a really good social commentary of the gender roles of the times, and of the perception that a woman was, somehow, failed if she didn't make a good marriage.

Date: 2010-09-20 06:47 pm (UTC)
serendipity8791: (Default)
From: [personal profile] serendipity8791
I really appreciate the humour in her stuff though. And when her heroines get feisty. She does write about really strong women, generally, and I can appreciate that.

And, you're right, I'm one of those chicks who doesn't like "love stories". I refuse to watch The Notebook. I love romantic comedies, though, and even more so if the hero or heroine doesn't get who they want... and it's still funny that they didn't! I also like the ones with a bit of a sci-fi/fantasy component to them, like The Time Traveler's Wife or The Lake House.

And, I don't believe in "true love everlasting" either. Yeah, I'm weird, LOL.

Date: 2010-09-20 06:59 pm (UTC)
serendipity8791: (Default)
From: [personal profile] serendipity8791
I'm fine with it if it has a point. I'm fine with sub-plot romances.

And, if it's played for laughs a bit, like the Egon/Janine romance which is a bit more to the forefront in the novelization of the first Ghostbusters movie than in the actual film, it's even better. (Spoiler: He wants it, but he just doesn't know what exactly he's supposed to do about it. Due to lack of experience. It's hilarious.)

Date: 2010-09-21 01:38 am (UTC)
serendipity8791: (Default)
From: [personal profile] serendipity8791
He actually winds up interested, and starts giving her small attentions, like winking at her (because Venkman told him women like it), comforting her and hugging her back (he believes hugs are a mating ritual, but then, it is Janine, and she is interested), he takes her hand in his before going to battle Gozer, and says "Hi..." not knowing what more to say, but having fully intended on having a romantic moment with her, then she launches into the coin story from the World Fair at Flushing Meadows that I believe I've linked to a YouTube video of that cut scene.

At the end, when he comes back down from the building, he expresses relief that she's also alright, after she runs to him to greet him, in the movie, they are shown embracing each other and he's got a big goofy gin on his face.

An early draft of the script had them eloping in Las Vegas, which made me LOL when I read that little excerpt.

Date: 2010-09-21 01:44 am (UTC)
serendipity8791: (Default)
From: [personal profile] serendipity8791
That was supposed to be a big goofy grin, and not gin, but that's still hilarious, haha. And I love Harold's grin, it's funny. :)

I love that scene too. He looked so much more into that hug than the one they share in the presence of a possessed Louis Tully.

Date: 2010-09-20 10:13 pm (UTC)
tattycat: (Default)
From: [personal profile] tattycat
Austen is Regency. Edwardian is right at the turn of the 20th century, but Edwardian literature really isn't much better. It's just that you go from desperate-and-married women in Austen to desperate-and-dead women in Kate Chopin.

Chopin, who was so unclear on what to do with her character after the character left her husband, that all Chopin could do was have her drown herself. Because women can't survive alone without a man.

And then of course you get the fun Victorian/Edwardian stuff like Bleak House and House of Mirth. Ugh. Ugh ugh ugh.

So glad I wasn't a 19th century woman. So glad.

Date: 2010-09-21 04:47 am (UTC)
tattycat: (Default)
From: [personal profile] tattycat
I probably would have been one of the kids down a mine, or up a chimney. 'Weep, 'weep, 'weep, indeed.

Oh, speaking of romanticizing the past, have you watched those wonderfully awful History House shows? I just finished rewatching Manor House, and was in near-constant hysterics over their scullery maid tribulations. Holy shit, you mean the scullery maid has to *work*?! What rock were these girls under??

At least there is a circle of us that fully realizes that the 19th century sucked big time for 90% of the folk.

Date: 2010-09-21 01:33 am (UTC)
serendipity8791: (Default)
From: [personal profile] serendipity8791
Wow, sounds... cheerful...

Yes, I was being sarcastic. May I prefer Lucy Maud Montgomery's heroines? Because, honestly, I believe I do. :)

Date: 2010-09-21 04:44 am (UTC)
tattycat: (Default)
From: [personal profile] tattycat
I *adore* LM Montgomery's heroines. Many of the others just make me want to scream.

Date: 2010-09-25 12:07 am (UTC)
redbird: full bookshelves and table in a library (books)
From: [personal profile] redbird
Regency: early 19th century. Edwardian is early 20th.

(Here via "latest things" and the "feminism" tag.)

Date: 2010-09-25 05:00 am (UTC)
serendipity8791: (Default)
From: [personal profile] serendipity8791
Good to know... they don't teach us anything about that in Quebec, only 20th Century French Canadian authors. And then they complain about trying to save the French language. We have no general culture.

Date: 2010-09-20 10:07 pm (UTC)
tattycat: (Default)
From: [personal profile] tattycat
I am constantly telling people they need to read "Tenant of Wildfell Hall" to get a handle on what happened to women that tried to leave bad marriages. The 19th century was not kind to women.

Date: 2010-09-20 10:15 pm (UTC)
tattycat: (Default)
From: [personal profile] tattycat
And you know, laundry *sucked* back then. I do an 18th century laundress impression in living history, and it is all kinds of no fun. I could definitely see the life of a prostitute or a ginny would be preferable in some cases.

Have you met [personal profile] msmcknittington yet? She's a dear friend of mine and she has all kinds of interesting and compatible things to say about Victorian lit and Victorian women. I think y'all would get on well.

Date: 2010-09-21 05:32 am (UTC)
msmcknittington: Queenie from Blackadder (Default)
From: [personal profile] msmcknittington
And you know, laundry *sucked* back then. I do an 18th century laundress impression in living history, and it is all kinds of no fun. I could definitely see the life of a prostitute or a ginny would be preferable in some cases.

Dude, what's not fun about stale urine? And soaking things in it? And then beating them with sticks after hauling gallons and gallons of water? Not to mention losing fingers in mangles! Tatty, laugh riot.

I think we should do a clothes washing demo at Pennsic some year and just be horribly unpleasant shrews the entire time, because we are (simulating) washing linens in piss. I think it might come naturally to us, though possibly I just want a reason to soak my feet in a cold tub of water all day while yelling at people.

I wish I could point [personal profile] brigid to something I've said on this topic, but the only thing I can think of is this post, and that's mostly about pre-Victorian women and how women as property is a gross oversimplification.

Date: 2010-09-22 01:18 am (UTC)
msmcknittington: Queenie from Blackadder (Default)
From: [personal profile] msmcknittington
My mom's mom used a similar set up until a laundromat was opened in town in the 1960s, so I have no doubt that people were still using mangles into the 70s.

Thanks! I'm pretty passionate about that class gap, because the experiences of women to this date are so colored by it, and it's something that's been almost wholly ignored until the past couple decades.

Clothing historians do a similar thing with sumptuary laws to figure out what people were wearing. Generally, the more often a clothing item was taxed or prohibited, the more often people were wearing it. Incidentally, I am also a hobbyist historian, not a scholar. :)

What you say about pre-Christian Ireland being a fairly egalitarian place in regard to gender has made me wonder how much influence Roman gender customs had on early Christianity and how that has filtered down through the ages. Hmmm. How much is Paul being a misogynist dick and how much is the pre-existing Roman influence throughout Europe? Hmmm.

Date: 2010-09-22 04:41 am (UTC)
timeasmymeasure: text icon reading "I like big books and I cannot lie" (stock: i like big books)
From: [personal profile] timeasmymeasure
This is really the truest reading of Jane Austen possible, IMO. I'm with you on blaming dramatic versions sweeping audiences away in the myth of various Mr. Darcy's and making it very easy to forget how generally screwed the women are.

Great post, thanks for sharing :)

Date: 2010-10-25 07:24 am (UTC)
sibyllevance: (Default)
From: [personal profile] sibyllevance
I touched on that in my dissertation - my dissertation was about humour in two of her books (but really if I'd had time I could easily have found the same pattern in the four remaining novels). I had an agenda when starting my dissertation - I'm tired of Jane being mistaken for the ultimate sentimental writer when she's really not.
At the end of Northanger Abbey, the narrator explains that Henry's affection for Catherine stems from nothing more than his being flattered by her own attraction for him.
In Persuasion she makes sure one of the last sentence is about the upcoming war Wentworth will probably have to fight (and in my personal canon he possibly dies).

I could go on and on. I like the Gardiners in P&P and the Crofts in Persuasion, especially the women in the relationship but the idea that her books are about romantic achievement is really ridiculous. I personally love her because she's funny and people could learn tons from her even today, re: all those sentimental books being released and people falling into the trap, it's as if we're all reading a different Austen - can't they see she's mocked that before?

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